Journal
Stories of artists, collectors, and the art that connects them.
Working from a studio in Kyoto's Higashiyama district, Tanaka renders nocturnal interiors where light arrives from a source the viewer never sees. A portrait of one of the most quietly remarkable painters working today.
Trained in Florence and formed in the Low Countries, Ferretti paints portraits with the psychological density of the Flemish masters. We visited his studio in the Oltrarno.
She begins work before the city wakes. On the beaches of Valencia, with large canvases and deliberate speed, Morales is doing something Sorolla would have recognised immediately.
He left New York to return to the west of Ireland. What he found there, in the Burren, above the cliffs at Doolin, along the coast road at Clare, has been the subject of his painting ever since.
She paints landscapes she cannot paint outdoors, because the oil freezes. Everything Solberg makes must first be absorbed, then recalled inside. The filtering that this requires is, she believes, essential to the work.
Trained at the Slade and formed between Lagos and London, Okafor paints figures with a quality of self-possession that the viewer feels before they can name it. A rare painter of extraordinary seriousness.
The Journal
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